Weddings in my village
by Amani
by Amani
In
the past wedding celebrations in my country would last for many days. The more
wealth the family had they could afford to hold a longer celebration. Sometimes
it would last for a week or more. No expense was spared, it was the occasion to
show the family at their best.
DOWRY
AND DOTTA
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Tantour a Lebanese head dress worn by high society women at beautiful occasions |
The dowry brought by the bride we call it 'Dotta', and it could be jewelry, money, furniture, the trousseau of
the house and even real estate.
Dowry
and Dotta belonged solely to the bride except what was dedicated for use in the
house.
THE
WEDDING
Everybody
at the village was invited, yes everybody!!! Invitations had to be
announced at the church and at the mosque. Intermingling of men and women was a
regular occurrence for thousands of years except where, during The Ottoman
period, the Turks influenced few specific societies in the cities they settled
and segregation in social events became the norm. However this was the case
only for a short period of time. Societies throughout the rest of Lebanon
retained (and have preserved) the original customs.
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Amani in a Lebanese head dress worn at beautiful occasion |
Every day from early hours till late into the night an open buffet was available consisting of a varied Lebanese gastronomic bonanza starting with the large diverse meze and salads, then to the main courses and ending with the best Arabic sweets - and not forgetting the hot baked Lebanese bread and the fresh seasonal fruits of all kind.
Every
day a new variety of food was on the buffet. The food would have been homemade.
Yes, homemade! There were no catering services at that time! A week ahead of
the wedding date women of the village would gather at the Grooms family houses,
sharing their love and happiness, participating in the cooking workshops,
preparing the wedding decoration and taking on the bulk of the housekeeping
after the celebration ends. The village was just like one big family.
"Eh Wiha"
THE
TROUSSEAU
A
wedding celebration began a few days before the wedding ceremony. At the family
house of the bride a 'Bride Wedding Trousseau' is shown as an exhibition. This
lasted for 1 to 3 days. This was an 'expose' by the family of all of the
trousseau of the bride that they had been preparing since their little girl was
born.
The
hand crafts made up a large spectrum of the items - hand knitting, embroidery,
ornamental and crochet, home accessories of all kinds and garments. It also
included dresses, shoes, bags, bed covers, even the bridegroom’s toilette
trousseau and gown and everything she needed for her future life as a wife and
a lady. In some regions, especially in towns, an oriental dance costume was 'a
must' as a part of the trousseau.
While
people came and went, some women would dance and sing, some women would loudly
tell some wedding sayings praising the bride and wishing her a prosperous
marriage. Those sayings are only sung by women. They would have a special
tune to cite them. They would begin with an 'Eh wiha' and end with a Zalghoutah or Zaghareet, which is 'Lilililili '. It is the
typical way in “Lebanon, Syria, Jordan, Palestine and in parts of Iraq. They
are generally known as 'Eh
Wiha' , some call it 'Mahahat' like in Jordan and Palestine or 'Hahawi' or 'Hanahine' in Syria and
Iraq.
On
the other corner, incense would be burning with some prayers and blessing
requests.
At
the end of the exhibition, the 'Bride Wedding Trousseau' and her possessions
had to be sent off in a festive procession to her future house. The bride
remained at home while her mother and aunts would take the bulk of items for
her.
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Selected from Palestine archive. Showing the Bride Trousseau Procession heading to the Groom house |
BRIDE PREPARATION DAY
Next
day was 'The Bride Preparation Day'. We call it in Arabic 'Geali el 3arous' meaning 'Cleaning the
bride until shining'. It is similar
to Henna Night.
It
was the day to prepare the bride for her biggest day in all means. Only women
were allowed to attend. They would wash her with Roses, Jasmine and Laurel
leaves, evaporating her with incense for blessing, praying and singing the
wedding quotes 'Eh Wihaa', and applying
henna.
This
procedure might take place at the family house of the bride or at the 'Hammam'.
Of course meals were always offered in the form of a big buffet even at the
'Hammam'.
![]() |
Drawing with henna dough on the hand |
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Henna on the feet |
The
groom also had his own preparation day but always the focus was on the bride!
Only
men were allowed to attend. The 'Eh Wiha' and zaghareet were substituted with
beautiful poetical sayings similar to a conversation among a few talented men
and measured in 'Comment and Reply' called 'Erredeh and Raddeh'.
Sometimes
real poets were hired if the groom could afford the fees.
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Hammam Ez Al Dine Al Dimashqui , a 400 years old Hammam |
BACHELOR
PARTY
Normally
most of the weddings would take place in the summer time in the outside yard
(terrace) to welcome all the invitees and to have space for dancing too!!
Yes
of course - entertainment made up the main part of a wedding celebration. If
there's no music and dance, there's no celebration!
A
farewell bachelor party was celebrated the night before the wedding ceremony
took place, where all friends and families in the village were invited.
Bachelor party would happen on a day when next day was a day off such as
Sunday. The bride would have her night separate from the bridegroom who
would be also celebrating his night with his friends and families.
Belly
dancing and Dabkeh with 'live' and 'play back' music were the main part of a
wedding celebration. Sometimes professional oriental dancers were invited but
at the end, the courtyard was reserved for the women of the village. Females
would compete in dancing and show off their talents. (BTW that’s how I developed my skills).
I
remember when my grandmother used to dance with the water pot on her head and
zills in her fingers. She was the best ever.
Dabkeh
is for everybody... hand in hand, shoulder touches shoulder, drawing a long
line or groups in half circles: youth, old, females and males, all can participate
in this popular dance on a Big
Tabel and Mizmar live
music. I bet you cannot resist dancing.
The
leader of each line, while twisting up in his hand a 20 cm long twined napkin
in a braid, jumps up and kneels down in a fashion that shows his dance potential
and strength in a syncopated steps around the rhythm. The dancer at the
head of the group has to change continuously. It is a hectic role.
When
everybody was busy celebrating, the bridegroom would kidnap the bride for a
midnight kiss. She joined his family with few of her close friends for an hour,
than she returned to her bridal party.
At
late night or early morning the party ended- everybody exhausted.
WEDDING CEREMONY
Come afternoon time, the bride and bridegroom were almost ready. Friends and relatives began to gather at the grooms family houses. A couple of hours before the ceremony, the group of the bridegroom parents would arrive to take the bride to the church. On their arrival the 'Eh wiha' and 'Zalghoutah' became louder. Drinks and sweets were then offered.
![]() |
A covered " Hawdaj " for a bride |
The
bride was then ready to leave her parental house. If the distance wasn’t far
she would have a walk, go by car or aloft on a 'Hawdaj' among flowers and
ribbons on both sides and all along the road. When she reached the Church
she walked with her father across the entrance where the bridegroom would be
waiting for her. He arrived a little time ahead of the bride, carried on
his friends shoulders.
During
the ceremony while standing facing the altar a woman would take a needle and a
thread without a knot at the end and starts sewing, putting together the bride
and bridegroom suit to signify strong and blessed future ties.
AT
THE GROOMS FUTURE HOUSE
After
the ceremony the groom would proceed to their future house, accompanied by the
invitees, to Big Tabel and Mizmar live music on the way. They
had to avoid being on the same road as the bride on her way to the church (to
avoid bad luck). As soon as they reached the entrance the sword and
buckler shield dance (very active) took place as a sign of strength and
protection.
Tabesh El Khamireh (sticking the
yeast):
At
the main door the bride would stand up on a chair. On the wall just over the
door she would stick, with her right hand, a yeasted dough made of plain wheat
and water in a circular shape. With the side of her hand she would print the
sign of the cross or places a grape, basil leaves and stick coins around the
dough periphery as a sign of prosperity and fertility. Afterward she scattered
coins, small souvenirs and candies over the invitees.
Stepping
in:
Making
the first step into the future house was another 'rite for blessing'. The bride
and groom, together, hand in hand, would enter stepping in backwards with their
right foot for an endless marriage.
A
LEG BACK or RADDET EL EJER
When
the couple returned from their Honeymoon trip, the bride went visiting her
parents with her husband and a big group of his family and her friends. This
was another festive aspect.
The
parents of the bride had to hide all precious items at the house!!! It was the
bride after all!!!!! She would tell any of her friends to steal a
specific item that she would love to keep at her new house.
It
was for fun!!! Sometimes she kept the item as souvenir, sometimes she
gave it back.
This
is what we called 'Raddet el ejer'
meaning 'A leg back' to her parental home.
This is one of Lebanon’s traditions. Sometimes it is like 1001 nights! I remember one time we had 13 weddings during summertime. Can you imagine what the village was like?
That
was the scene years ago. Our ancestors' traditions have faded with the invasion
of the new lifestyle. Today modern
wedding celebration disciplines are almost the same all over the world.
Weddings
take place without a story, without meaning. They have become just
another hafla or gala with
a bride and a groom and a zaffa.
I
miss the love that used to bring people together. I miss that sense of the
community being 'one big family'. I miss
my Lebanon …
Amani - 7/7/2016
Beirut - Lebanon
English text amended by : Audrey Marie Doherty
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Dear Amani,
ReplyDeletethank you so much for all the art you gave to the dance scene worldwide!
You have been allways so unique and great in all what you have done and you do for the art!
Thank you for your love and passion and thank you for your amazing articles which are so impressing and heart touching as well...Thank you for that!!!
I adorded you since I started dancing oriental (1989) and I aprecciate your love to the art so much and that you share it with us so genoures! Many greetings from Germany/Berlin
Nabila Sabha
Dear Sabha,
ReplyDeleteThank you for your beautiful words and warm comment.
Sharing what I love with the world, is a life of love. When receiving a similar feedback from a professional dancer with a considered career, this love grows up to be a beautiful achievement with great goal.
Thank you for your greetings and appreciation.
With love from Lebanon
Amani
Muy bonito el relato, gracias Amani!
ReplyDeleteWelcome Aida
Delete